Maria Mendes (vocals, musical compositions and arrangements)
John Beasley (orchestra’s conductor, producer, arrangements/orchestrations, pianist)
Metropole Orkest (Chamber line up – 25 musicians)
Rhythm section: Karel Boehlee (piano), Jasper Somsen (acoustic bass), Jasper van Hulten (drums, percussion)
“Nothing here disappoints, as Mendes cleverly revives an age-old genre that clearly is not mournful when sung by this graceful vocalist”
“Mendes’s singing embodies the pathos of the so-called Portuguese blues, while her assured vocal soloing and firm grasp of groove broadcast her identity as a jazz singer of the highest order. Her poise is as impressive as her power”
A great affection for fado music and its poetic lyrics, an appreciation for how a jazz palette can color the form, and a love of orchestral seasonings all influence this expansive outing…”
“You hear the merging of Fado in all elegantly swirling notes, while the music gets wings through Mendes’ great sense of timing and well-dosed scat “
“Crystal clear voice, strong and confident (…) has the courage to make the classic Fado sound absolutely contemporary and of the moment”
“Longing, love, nostalgia are the themes, performed with a voice that is unsurpassed in purity and variability”
Portuguese jazz vocalist Maria Mendes returns with her third album, an unusual and unique project about symphonic Fado where the modern creative Jazz is the leading voice on an adventurous passionate journey. For this the Portuguese singer collaborates with the world’s leading Jazz symphonic orchestra, the Metropole Orkest under the artistic direction of the American pianist/conductor/composer John Beasley.
The lyrical characteristics of the famous Portuguese folk music style Fado are dramatic love stories and ‘saudade’ -Saudade is the Portuguese name for deep feelings of nostalgia and a profound desire for a loved one who is forever gone. These themes remain intact with the new compositions and Jazz orchestrations, where Mendes expresses her vision on how Fado stands up in times of modern love. Additionally, the Brazilian living legend, composer/multi-instrumentalist Hermeto Pascoal has written a Fado song specially for Mendes and this project.
METROPOLE ORKEST: “As Metropole Orkest we are always looking to combine music styles. This project intelligently combines Fado and Jazz in a well-balanced and vibrant manner. John Beasley’s charts are rich and his work on this recording can be compared to that of a great fashion designer. Maria, her incredible voice and her songs are his muse in creating a garment that fits perfectly and makes the Metropole Orkest shine.”
JOHN BEASLEY: “Fado music needs an impressionistic voice that can express the longing and loss in these stories of melancholy. Maria Mendes surprised me with her stunning timbre of voice. She also has the charisma and personality that is needed to connect the music to the words and context of the songs.
My heart opened up making this album “Close to Me” with Maria, her band and the voluptuous orchestral sounds from the Metropole Orkest. Maria gave me the license to reimagine these classic fado songs with modern jazz sensibilities. I was captivated by the story lines and my film-composing instinct kicked in leading me to score each song like a movie. And, with Maria’s soul-reaching voice, which is clear as a bell and can trigger a wide range of feelings, when you listen, you are left with how to handle the beauty and artistry of what you just experienced.
Listening back to the album, I hear how elastic and open minded the musicians were with our writing. They took what we wrote beyond our imagination.
With “Close to Me”, you hear two genres –fado and jazz– infusing each other creating a new blend –a new musical appetite that stirs your soul.”